Meanwhile, the Iraqi election rages on and the Prime Minister has yet to be chosen. The results are still on lockdown, and officials are not calling the election in favor of either incumbent Nuri Kamal al-Maliki or former Prime Minister Ayad Allawi. Even today, the results of the parliamentary election are not fully conclusive.
Many American officials and Iraqi citizens are frustrated at the slow tallying. There have been accusations of fraud, and all in all tempers are flared. Which is pretty understandable when you live in a country that hasn't ever experienced fully realized free elections and voting carries the possibility of death. The fact that Iraqis were willing to go to the polls despite trading bullets for ballots is a testament to a dedication that can only be equaled by the viewers that increased the Oscars' ratings by 14% from last year.Speaking of which, I'm sure you're tired of all the fashianalysis of Best and Worst Dressed from the Academy Awards, and besides, it's so rare for election coverage to focus on what the voters are wearing. With that, I present a "Who Wore It Better" moment for the Iraqi election. And the hot accessory that everyone's talking about? Why, a purple finger of course!
Dude in FallujahAnd as a side note, if I may take something that has absolutely no political significance and politicize it, I would like to discuss the place of the film The Blind Side at the Oscars. It's not customary for me to get all worked up about shit like that, but I can not abide Sandra Bullock winning an Oscar for a film (a film that was also nominated for Best Picture) that was arguably more racist and idiotic than her racist and idiotic character in Crash. It is insulting, firstly, that a ghetto-colonialist, patronizing white hero piece of fuck movie got so much return at the box office. It's disgusting that that sack of shit movie got nominated for anything other than an epic fail of displaying values, or perhaps Best Picture That Makes Ignorant White People Feel Great About Themselves. That's all.


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